Expressions of the author's consciousness in contemporary theater Publicism Ukraine

V.L. Galatska


The article deals with the subjective and extra-subjective forms of expression of the author's vision within informational and analytical genres of modern theatrical criticism exemplified by a philological model of the author theory by B. Korman.

In this respect interpretation of dramatic art in informational and analytical genres appears to journalists actual from the point of view of decoding the methods of stage expressiveness in the literature. They personify syncretism of the verbally visual paradigm in its structure. The author in a theatrical publicism is a bearer of the outlined mental and ethical conception, of a certain outlook to reality. Its verbal and evaluative models are the informative genres of journalism (the extended information, interview dialogue, portrait and leitmotif interview), analytical forms (review, correspondence, survey). In the review genre we observe the activity of authors text-monologue that produces effectiveness of subject expression forms of publicist consciousness (metaphorical thinking, informatively figurative interpretation of theatrical fact).

Formally subjective organization of the journal theatrical criticism is characterized by wide use of the figures of poetic syntax, by a dialectical exposition of material.

Key words: author image, subjective and extra-subjective forms of expression of the author's vision, genre, style.


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